Ira Glass: now on DVD (the radio is better though!)

As an self-confessed NPR junkie I make no bones about my favorite show on radio - This American Life. The show is like the movies, except the stories are real (see old post).

Last Saturday, the show's host Ira Glass was in town. Being Ann Arbor, one the few places where if you don't listen to NPR you will be looked down by people, the local bookstore Borders was trying to restrict the audience by handing out wristbands when the store opened in the morning. In the evening, Borders did not have the executive power to enforce this and were letting anybody in. As a result, yours truly was stuck behind a pillar. This kinda of put dampener on the whole point of going there - "I came to see Ira, not to hear him!".

Ironically, Ira is on a tour to promote the DVD of his six-episode TV version of the show. Something, he said, he was reluctant to do for a long, long time. I have seen the pilot (on their website), but the radio show is better( and everyone knows it). From the straw-poll conducted at the bookstore, by Ira himself, not many people know the show from TV, which is small victory of sorts. TV or radio, the show is about real-life stories of real people.

The show is also well known for its beautifully put together music and one wonders if Ira who was born in 1959 was inspired by the music revolution in the 60s and 70s. He said that he was a nerdy Jewish-American kid growing up in Baltimore. He never heard any of the popular music while growing up. He said, "I remember a kid in my neighborhood asking me if I thought 'The Monkees' were better than 'The Beatles'. Imagine that there was a time when there was even a debate about this!. I grew up listening to Broadway musicals. The music of my people!". Musicals from the 40s and 50s, he said, have shaped his aesthetic and he tries to achieve a lot of that effect on the show.

I waited in line for about an hour to get the DVD signed. A bookshop is perhaps one of the few places in the world where I can wait in line forever. I picked up a book and 'almost read it'. Finally, it was great to meet and talk to Ira. He seemed to be in no hurry to conclude the conversation. The reason the line moved slowly was that Ira likes to talk to people, but which also made the wait worthwhile (not that I was complaining). I suggested that he should make a show on the show. There is a certain demographic to which the show appeals and, 'who really are these people?', and 'why do they listen to the show?'

Earlier, he said that for those in the creative profession most of the work is not in doing the work, but in simply finding the subject. As a young reporter, Ira tried really hard to sound like what he thought a reporter should sound like and he was terrible. He said that your best work is done when you are not trying to be what people think of you, but when you are doing it simply to amuse yourself. What does Ira do when he has all these wonderful stories from people to choose from. It isn't that hard -

Everyone has a story, but everyone does not have a story that needs to be told to two million people.
- Ira Glass

This American Life

If you had time to listen to only one program on Public Radio, then it would be - This American Life. Last week's show was all the more special since it was about quiz shows, or rather people associated in some way with quizzes.

To describe the show in their own words:

One of the problems with our show from the start has been that whenever we try to describe it in a sentence or two, it sounds awful. For instance: Each week we choose a theme and put together different kinds of stories on that theme. That doesn't sound like something we'd want to listen to on the radio, and it's our show. In the early days of the program, in frustration, we'd sometimes tell public radio program directors that it's basically just like Car Talk. Except just one guy hosting. And no cars. It's easy to say what we're not. We're not a news show or a talk show or a call-in show. We're not really formatted like other radio shows at all. Instead, we do these stories that are like movies for radio. There are people in dramatic situations where things happen to them.

Ira Glass has worked every possible position in a radio station: a tape cutter, newscast writer, desk assistant, editor, producer, and host. This American Life has won the highest honors for broadcasting and journalistic excellence, including the Peabody and DuPont-Columbia awards, as well as the Edward R. Murrow and the Overseas Press Club awards. At first, Ira Glass's voice is not one that you would associate with a radio personality: it's slightly nasally, the delivery is often choppy, but it feels feels direct, genuine, and matter-of-fact; after a while, you can't think of another voice that would match the material better. It is well-crafted like everything else on the show. Glass uses his training in semiotics to great effect: every pause, repetition of sentence, choice of word is a deliberate choice. Glass spends hours selecting, adding, or deleting the position of a particular pause, cadence, and selecting the songs for the show. Consider selecting songs for all these topics? I bet it's a tough job. Try finding a song for a show on quizzes? Their selection could not have been better - the punk tone and lyrical content of Smarter than You by The Undertones almost perfectly describes the attitude of quizzers. He says, "There are only two things in radio - sound and silence."

This American Life goes beyond just finding extraordinary stories on the most mundane of all topics:
The retiree in Brooklyn who invites some homeless prostitutes into his house on a cold winter night and they never leave; pranksters who go on missions to create a cell-phone symphony, board the NY subway in just underpants, or give a band its greatest gig; on New York building supervisors, or the 'Supers', and their fantastic tales; students at a high-school prom when a tornado rips a third of the rest of their town. One of my favourite stories is about Charlie Brill and Mitzie McCall who got caught in another kind whirlwind, when they got their biggest break on Ed Sullivan.

After listening to a couple of shows you realize that despite the name the show is not really about America; it's about life in general and stories of humans caught up in it. How we deal with situations and how we don't. How things that seeemed liked good ideas at the time went fatally wrong.

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All the shows are available free on the website as streaming audio. To my great joy they are now allowing episodes to be downloaded on iTunes as podcasts. Each show is availabe for a week after the broadcast and is then archived on Audible.com.